When I write, I write for Joe Bloggs, the thickest bloke out, because if
he understands it, everyone understands it. That's the way I work.
Record Mirror 3.6.78
Words are the most important thing about punk. If
I just wanted to pogo, there's hundreds of bands I could go and see -
that's just as bad as disco. What I'm interested in is people who tell
the truth. That's what I believe in. Punk Rock Virginia Boston
Paul Morley They attack, taunt, and pummel. They play unengineered
rock music, with that extra special English cheekiness / plainness...Pursey's
language is abrupt/identifiable/straight street...just words, no silly
abstractions. Positive, and like he says, from personal
experience/situation. NME 12.11.77
I Don't Wanna
/Ulster /Red London (Step Forward 1977)
Sham 69 seem to
be cast in the true punk tradition and ... they've come up with some
solid street material. 'I Don't Wanna' and 'Red London' add more voices
to the 'no present/no future' protest while the longer flipside 'Ulster'
complete with gunfire and explosions, expresses what a lot of people
feel about Northern Ireland - 'You're all losers.' Okay its political
expression at its the most basic and simplistic level , but at least its
a start. Tony Mitchell Sounds 15.10.77
Punk77 says...
Classic driving lo fi punk rock and an absolute winner.
Song Of The
Street (Polydor 1977)
Some 2,000 copies
given away at gigs and later on another 10,000 given away at gigs.The
sng was What Have We got and was the classic call and refrain of the
band and the Sham army. Great John Peel version substituting the 'Fuck
all' with 'John Peel' amazingly!!
Later on after
the band had a couple of hit singles Pursey would change the lyrics from
'What have WE got.' "That's why I sing 'What have YOU got', I can't sing
what have I got anymore of I'd be a hypocrite."
Borstal Breakout /
Hey Little Rich Boy (Polydor 1978)
Described by the
twat Robin Smith in Record Mirror as 'Boring is such a boring word to
use when describing a single bit I can't think of anything else that
would fit so well apart from zzzzzz. 7.1.78
Punk77
says...From the manic laugh and reverb drenched door slamming this is
classic Sham with an Eddie Cochran propelled riff the Ramones
would have been proud of. Full pelt punkarama with the perfect yob
chorus. The first for
Angels With
Dirty Faces / The Cockney Kids Are Innocent (Polydor 1978)
'Who's gotta dirty
face then?' Jimmy asked as the boys launch into their third straight
cracker. Its not rocket science and its not prog rock but its yer true
street lyric direct to the gut. Bit of flanged guitars in this though
for you sound techies.
Sheila Prophet in
Record Mirror (6.5.78) said "Technically its no great shakes. Lyrically,
it's not very original. Musically, its at best, basic. But...I LIKE IT!
The B side will
be familiar to owners of the first album where it was called 'George
Davis Is Innocent.' In the highly charged gigs filled with trouble
Pursey would change the lyrics to 'Sham 69 Are Innocent.'
If The Kids Are United/Sunday Morning Nightmare (Polydor
1978)
I personally love the sensitive and poignant 'Sunday Morning
Nightmare' cataloguing the aftermath of A Saturday night out complete
with mock Bee Gees opening motif and a darts pastiche in there
somewhere.
That said 'If The Kids Are United' is Sham 69 encapsulated in 3 mins.
The very essence of chords to the gut, catchy riff and direct lyrics
that don't leave room for any doubt because the message is so simple.
Slabs of Pistol like
guitar propel this shout a long Sham classic and even the tarnishing by
the Labour Party and McDonalds can't really harm it.
Hurry Up Harry / No
Entry (Polydor 1978)
Punk77 says...
They moan if you write catchy basic songs and then they slate you if you
write a knockabaout sing a long a cockernee classic. It's not rocket
science but it sure is fun.
Years later it
would be reworked as Hurry Up England for the 2006 Fifa World Cup
getting as high as #10.
Questions And
Answers/I Gotta Survive/With A Little Help From My Friends (Polydor
1979)
To my mind a drop in quality as the song and lyrics start to sound
just a touch contrived and the chorus a little predictable. Am I reading
too much into it but is that cover echoing the cover of 'Tell Us The
Truth'? I know Pursey is holding the mike but like 'TUTT' it's
an almost a pointing finger to the crowd that both gave Sham their
meteoric rise and contributed to their downfall. Of course I could just
be talking shit!!
Hersham
Boys/I Don't Wanna (live)/Tell Us The Truth (live) (Polydor 1979)
And then as if by magic this little beauty appears, Ok we all know
Hersham is not exactly within the sound of Bow Bells but its such a
joyous racket that I can't help but laugh and feel happy when its on.
Even more so because I remember it being the favourite song of my
brother aged four who used to love singing it!!!